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PEYTON
WRIGHT

Selection of the Week:

Ati Maier

Les Univers Paralleles
2016
53'' x 94''
Ink and wood stain on paper

PROPHECY of the ENCOUNTER
Screening and filmmaker talk
at the EQUUS film fest

April 19. Farmington, NM
 



   Single
The Way (Reprise)
Ben Musser • 2025 • 1 Song, 3 Min. 30 Sec


 ♫ Spotify  ♫ YouTube

  
PIEROGI 30
Revisiting the personal, peculiar, and droll

Hours:
11am to 6pm, Tuesday through Saturday and by appointment.
Exhibition Dates:
21 November through 22 December 2024
Opening Reception:
Thursday 21 November. 6-8pm

Exhibition Location:
394 Broadway 3rd Flr
New York, NY 10013
 PIEROGI façade, September 1994. 167 N 9 ST BRKLN, NY. Photo: John Berens

Pierogi opened in Williamsburg, Brooklyn on North 9th Street in September 1994. Williamsburg doesn’t look the same as it did thirty years ago but it was around that time and before (in the mid-to-late 1980s) that visual artists flooded into Brooklyn and created multiple communities and an international destination for savvy art viewers. Pierogi’s reputation for a unique unconventional approach is grounded in this context. Over time Williamsburg’s example fostered numerous artist communities throughout Brooklyn and Queens which continue to expand.

Pierogi represents the work of emerging, mid-career, and established artists engaging in conceptually driven, process oriented work in a wide range of media: from the diagrammatic drawings of Mark Lombardi, the large-scale, nuanced still life drawings of Dawn Clements, and Hugo Crosthwaite’s award-winning video portraits and murals, to the interactive installations of Andrew Ohanesian; as well as curated exhibitions such as the award-winning Dead Tree installation (a recreation of the Robert Smithson work originally shown in Dusseldorf’s Kunsthalle, 1969), to numerous painters, performers, sculptors, writers, and more.

From early 2006 through 2008, Pierogi operated a second gallery in Leipzig, Germany, which allowed us to expand an international audience and artist base. From 2009 to 2019 we opened a second Brooklyn location, The Boiler, which was a more expansive space in a former factory boiler room that allowed us to mount ambitious installations, performances, and other events such as Ward Shelley and Alex Schweder’s In Orbit, a thirty-foot diameter kinetic wheel that the artists lived on for ten days in early 2014.

Pierogi’s Flat Files, an integral part of the gallery since its inception, are ever-changing with new work added regularly and have traveled to many locations, including: Gasworks (London), Cornerhouse (Manchester), Kunstlerhaus (Vienna), Brooklyn Museum, Weatherspoon Art Gallery, The Andy Warhol Museum, Yerba Buena Center for the Arts, Bard and Vassar Colleges, and Kent State University, among others.



A selection of works held in the Flat Files will be available for viewing at Pierogi during the anniversary exhibition.


A Williamsburg Family Reunion at Pierogi Gallery’s 30th Anniversary Opening

Hyperallergic by Aaron Short

Two Coats of Paint by Adam Simon

Brookly Rail by Ekin Erkin

Pierogi 30 Anniversary Exhibition with Lisa Levy

@jerrysaltz


Morphing Planet 2023
Ink, pigments, wood stain on paper
23.3 x 23.3 inches
Interstallar 2023
Ink, pigments, wood stain on paper
23.3 x 23.3 inches


Screening of NO LONGER ON THE MAP
at the Evolution Mallorca International Film Fest 2024

NO LONGER ON THE MAP


Presented by AMERICAN MESSENGER - 1(415) 699-8418
349 - 9th street San Francisco CA 94105 @american.messenger

Opening: Saturday 1(415) 699-84183rd, 6-9 pm
and by appointment through August 30.th, 2024

Presented in collaboration with SFFILM.ORG
SCREENING of the SpaceRider Cycle, August 9.th


Press Release
Pierogi Gallery and L’Space are proud to present “Borderline: Mapping Narratives,” a collaborative group exhibition delving into the complexities of our contemporary global landscape, a world characterized by shifting borders, cultural interactions, and social transformations. The exhibition will be on view from February 29 through April 13, 2024, with an opening reception Thursday, February 29 (6-8pm).

Borderline—liminal spaces and states, intermediate positions, frontier lands, zones that are no simple task to navigate or map. As in a Cormac McCarthy story, these artists are tentatively feeling a way forward, teasing out the contours of the unknown, whether that be the terrain of a canvas or paper substrate, of the mind, the natural environment, the socio-political environment, or other parts unknown.

Mapping narratives attempts to navigate the context of a literal or abstract image. These can include a wide range of narratives: mental, physical, emotional, even spiritual; subjective and objective. The unifying nature of this exhibition is underlined by the reference to mapping and the overall borderlines that give a sense of six degrees of separation.

Including work by Dawn Clements, Hugo Crosthwaite, Sharon Horvath, Sermin Kardestuncer, Darina Karpov, Ati Maier, Roxy Paine, Bruce Pearson, David Scher, Sarah Walker, Daniel Zeller, and others.
Synopsis
"No Longer on the Map"
A film by Ati Maier

„No Longer on the Map" unfolds a surrealistic narrative, where an otherworldly messenger emerges from the ocean. Mounted on a white horse with the Spacerider flag in hand, she takes us on a Quixotic epic journey to meet her intermediary.

A voice over, spoken by Esther Schweins, tells us of Gods wrath against the wickedness of man : “Behold, i shall bring a flood of waters .” They travel together on horseback and donkey to an ancient windmill, the beacon of their final act. The intermediary invokes the powers of the universe pleading for an intervention. In a miraculous response, the mountains turn into water, initiating a cataclysmic flood.

“As long as the earth remains, everything is in our hands, only we can destroy it.”

PIEROGI


Upcoming at Pierogi | extended through Saturday, November 18, 2023  
“Although my work is largely abstract, it is very much about making invisible energies and wavelengths visible. I start with overlapping sketches” which suggest a provisional composition. “I might begin with an abstract grid, add a galactic structure, then landscapes on top. It is in this period that shapes begin to form and subside, subdivide and cut through and across one another. I weave the layers of space together in such a way that foreground, middle ground, and background along with past, present, and future become one dense coherence.”
(–Ati Maier)

COSMIC TRIPTYCH
Spit bite and Aquatinta Etching
BLACK ROCK EDITIONS
Publisher Tim Willms Fine Arts
Edition of 10, each 10 x 10 inches, 2023

Interview about the SpaceRider with Gregory Volk

https://www.timespecifics.org/timespecific-s-interview--selected-